Since 2014 I have been active as a freelance audio engineer working in recording, live sound, post-production, and audio restoration. I am the
Technical Directorfor Ensemble Dal Niente.
Previously, I was employed as a recording and live sound engineer at the Oberlin Conservatory of Music's Audio Services department and as an Assistant Audio Engineer at the Marlboro Music Festival.
My years of musical training as a composer, performer, and music technologist, combined with my technical audio engineering knowledge, make me well-suited for working on projects involving
complex contemporary scores, non-traditional instrumentations, live electronics, multi-channel speaker systems, and other idiosyncratic performance configurations found in new music,
experimental music, improvised music, and electroacoustic music.
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Services:
Live Sound Reinforcement & Sound System Set-up and Tuning
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• Amplification, live audio/video playback, archival recording, etc
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• This includes multi-channel and ambisonic speaker arrays.
Location Recording & Studio Engineering
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• I will bring my high-end recording equipment to your rehearsal, concert, or any other location to record. This service can also be conducted as a traditional recording session at any location.
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• My location recording rig can also function as a live sound rig, allowing me to handle both functions simultaneously.
Live Electronics Performance & Software Development
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• I can operate Max/MSP, Pure Data, and SuperCollider patches, as well as manage any DAW sessions or playback that need to be synchronized with a score.
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• I can create custom interactive electroacoustic music performance software for your composition or project. Additionally, I can update and repair patches and
software that are outdated or no longer functioning. I typically use SuperCollider, but I am also well-versed in Max/MSP and Pure Data. I also have experience with HTML and CSS-based website development.
Check out my projects on Github.
Post-Production
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• Production, editing, mixing, and mastering.
Audio Restoration
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• I can help restore fidelity to audio that is damaged or compromised in any way: de-clipping, de-humming, de-noising, de-clicking, etc.
When all of these devices are connected via ADAT, 18 microphone and 4 line inputs are avaliable. 8 line outputs are also avaliable.